The Last Prophet
Riley McKee is a brilliant trauma surgeon, one of those rare people able to connect the dots and save a life while others are still fumbling for a diagnosis. With her best friend and fellow surgeon, Genevieve Neugold, she shares an obsession for riddles and puzzles, and a compulsion to save lives. However, when Riley’s determination to solve a centuries-old mystery gets her killed, Genevieve is drawn into Riley’s last and greatest puzzle – the secret of healing the sick and bringing the dead back to life.
Michael J. Hallisey’s The Last Prophet is a twisty story of murder, crime, and hidden connections, from Riley’s CIA brother to the secrets hidden in the lost paintings of Caravaggio, carving a path across time and space from a modern trauma wing in America to one of the last hidden bastions of the ancient Knights Templar. Think Indiana Jones meets the Da Vinci Code. The only thing standing between this book and a much higher rating was strictly technical; the author’s detailed research and depth of knowledge occasionally impacted the pacing of the story, and the punctuation was odd to the point where it was frequently difficult to figure out if someone was talking or not, and if so, who. It’s a shame, because with a solid edit under its belt, this book would be a top-flight read. As it is, definitely worthwhile, but there are issues that impact the read and will sometimes yank the reader out of the story.