Runaway Deception, Denae Christine

Runaway Deception, Denae Christine

Runaway Deception (Royal Deception Book 2)

Symon abandoned the throne of Arton after the death of his father, leaving his treacherous uncle in functional charge of the country and his mother and a twelve-year-old soon-to-be-royal, Lana, as the only bulwark against the coup. Fleeing through the countryside, Symon accidentally falls in with the rumoured band of renegade animal shifters known as the Hoard, and decides to remain with them, hiding who and what he actually is, as his uncle’s Inurite army imprison and kill animal shifters across Arton.

Author Denae Christine has created an interesting and satisfyingly complex society of shape shifters in this series, their roles and discord lending insight into the intricate world building behind the books. While the author’s technical skill is clear, and the social structure as intriguing as the biology, I didn’t find that Runaway Deception really went anywhere. It’s difficult to explain without horrific spoilers of this book or the first in the series, but the status quo at the end of book one, essentially, is the status quo at the end of book two; Symon missing, Lana in trouble, treacherous uncle in charge of Arton and doing unspeakable things.

I also must confess that I found Symon hard to relate to as a protagonist; in some core aspects, he appears to be as self-centred as a gyroscope, and while this story is a YA, and Symon is a teenager, it was hard for me to find much sympathy with him. It made reading a book almost entirely about his adventures while running away from his throne a little tougher a proposition than it might otherwise have been.

The quality of the story-telling, however, earnt this book a solid three stars despite my not-infrequent desire to see Symon turned over someone’s knee and spanked – it’s well-paced, well-thought out, and an enjoyable read.

Adam’s Stepsons, M Thomas Apple

Adam’s Stepsons, M Thomas Apple

Adam’s Stepsons

Dr. Heimann wrote a theoretical paper on the topic of cloning. He didn’t expect a desperate military to snap it – and him – up, and throw billions at him to make it happen. Severely conflicted, not least by the experiment’s choice of genetic donor, Dr. Heimann finds himself torn at every turn; most of all between what he knows is right and his orders. By the time he’s finally forced to face the fact that neither his reactions nor the clones’ behaviour can be defined as within the parameters of the experiment, it may be too late.

Adam’s Stepsons explores the hot topic of human cloning; their development, their status, and the more ephemeral topic of whether the ability to think is the basis of individuality. I found that the characters and the plot were well-developed, with a fast-paced storyline. The aspect I found a little weaker was the world building. As a reader, you’re aware there is a war and the clones are being developed to fight in it, but basically world awareness is limited to the lab, the military base beside it, and scattered memories from a couple of the characters. If the story were being told uniquely from a clone’s perspective, that would have been a brilliant tactic; as a lot of the story is from Dr. Heimann’s point of view, it came across as rather odd. Kudos, however, for a great final plot twist.

The Seven Stars, Joshua Hampton

The Seven Stars, Joshua Hampton

The Seven Stars (Crowns of Silver and Ash Book 1)

Written in the style of an epic fantasy, The Seven Stars introduces us to a tale of war and adventure peopled with an intriguing mix of races. There are the mysterious Sons, with their warlike abilities; humans; the dhoglers; and the Eirkfolk, mute without their musical instruments. The development of these races was honestly probably the part of the story that came across as the strongest for me.

However, I found other aspects less well-developed. The centre of the story is the Sons’ attack on the Silver City, and their crusade to destroy all Seven Cities; aside from a general understanding that the Seven Cities had done something unmentionable to the Sons’ ancestors, I found myself at the end of this first book still somewhat unclear on the cause of the conflict, the exact properties of the various relics guarded by the cities, and, to be honest, even on how long ago said atrocity took place. The Seven Cities were apparently at peace plenty long enough to let their guard down, but the Sons were clearly polishing some serious revenge meanwhile.

There is also a mystery around the topic of music; the Sons despise and avoid it, except when they themselves sing; the Eirkfolk require music to speak, and there’s a strong implication that music carries some power in the world of Crowns of Silver and Ash that doesn’t come completely clear. While this book is the first in a series and ends abruptly enough to qualify as a cliff-hanger, I would have appreciated a few more hints on this to hook me into a second book.

Overall, there were most certainly strong points in this book, and the author clearly put a great deal of thought into his creation, but I didn’t find that the story really drew me in. Some of that is because of the vagueness I mentioned above, and partly because the pacing in some areas had me resisting the urge to page-flip; there was no one thread or character that really pulled me into the story and held me there.

High Iron, Tim Craire

High Iron, Tim Craire

High Iron

Aiman Shearer was very young when he was first singled out by the wizards of Varenland, and although he chose not to pursue magic and learning, it remained a part of him; a daydream to bring out and polish bright. Much later, when his peaceful existence raising his family’s sheep is threatened by invasion, Aiman finds himself caught up in a central role in the conflict, dealing with dwarves, elves, and renegade kobolds to end the unrest threatening Emmervale, and, possibly, avert a war.

High Iron is a well-written story, very suitable for younger readers. I say this partly because of the protagonist: Aiman is the son of a well-placed family in idyllic Emmervale, and is a simply-sketched character with no real vices, someone who is ready to forego glory to mind his family’s sheep and overlook past wrongs to save his town. The story itself is also written in the style of the fantasy quest, well done but with no real doubt about the eventual outcome of the hero’s endeavours. Despite or because of this, the book was still a highly enjoyable read, and as I’m generally all about the complex, dark, and twisted, I say this as a real compliment. I’d recommend it without hesitation to fantasy readers of all ages.

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